’s rendition of the is a cornerstone of Ayyappa devotional music, known for its meditative and classical depth . Released in August 2006 by Satyam Audios (and later Sony Music), this nearly two-hour track captures the "One Thousand Names" of Lord Ayyappa. 🎵 The Rendition by Ramesh Narayan
A computer can recite names; only a human can infuse gamakas (oscillations). Ramesh Narayan uses Carnatic gamakas subtly to highlight the emotional weight of specific names. For instance, when he reaches "Sabarimalai Vaazhum Ayyappa," the voice lifts, mimicking the uphill climb to the 18 holy steps (Pathinettam Padi). This auditory symbolism is why connoisseurs of Indian classical music revere this album. ayyappa sahasranamam by ramesh narayan
Om Mani Kanthaya Namah (Salutations to the one who wears a bell on his neck - ) Ayyappa Sahasranamam ’s rendition of the is a
To appreciate the rendition, one must understand the text. The Ayyappa Sahasranamam is a collection of exactly 1,000 names (or slokas systematically listing names) describing Lord Ayyappa’s attributes, leelas (divine plays), and iconography. Ramesh Narayan uses Carnatic gamakas subtly to highlight
Approximately 1 hour and 53 minutes , making it a comprehensive guide for full rituals.
The composition is primarily anchored in ragas that evoke Bhakti (devotion) and Shanta Rasa (peace). The base raga is often identified as Madhyamavati or Bageshri , ragas known for their ability to cleanse the auditory palette and induce a meditative state. The use of Madhyamavati is particularly significant in South Indian tradition, often used to conclude concerts to invoke auspiciousness.
