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Couldry, N., & van Dijck, J. (2015). Researching social media as if the social mattered. Social Media + Society.
Jenkins, H. (2006). Convergence Culture: Where Old and New Media Collide. NYU Press.
Adorno, T., & Horkheimer, M. (1944). The culture industry: Enlightenment as mass deception.
Netflix Technology Blog. (2021). How we use machine learning to personalize artwork.
Zulli, D., & Zulli, D. J. (2020). Extending the internet meme: Conceptualizing technological mimesis on TikTok. New Media & Society.

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Pre-production: A/B testing thumbnails, titles, and loglines on ad platforms to see which psychological trigger (fear of missing out, curiosity gap, outrage) gets the highest click-through rate.
In-production (for serialized content): Weekly drop schedules are not for binge-watching; they are for discourse engineering. By releasing one episode per week, the E708 team monitors Reddit, Twitter, and Discord to see which fan theory is most popular—then writes the finale to either confirm it (gratification) or subvert it (rage-engagement).
Post-production: The "second window" strategy. A movie that underperforms theatrically is "worked out" into a director’s cut for streaming, adding 18 minutes of deleted scenes and selling it as new content.