Maurice Ravel’s 1905 work "Introduction et Allegro" is a foundational chamber piece for harp, flute, clarinet, and string quartet, commissioned to showcase the Érard double-action harp [1]. Composed in just eight days, the piece highlights the harp through an Impressionist opening and a virtuosic, technical cadenza in the Allegro section [1]. For the full score and parts, visit IMSLP.
The IMSLP score for Ravel's features a high-quality, scanned version of the original manuscript, along with a range of additional resources, including audio recordings and historical information. imslp ravel introduction and allegro
He found the flute part. He scrolled past the initial harp glissandos, the "Introduction" that sounded like water cascading over smooth stones. Then, he saw it. The famous entry. Maurice Ravel’s 1905 work "Introduction et Allegro" is
The was composed in 1905, during a pivotal moment in Ravel's career. At the time, Ravel was part of a group of young composers known as the "Les Apaches" (The Hoodlums), who sought to challenge the traditional norms of French music. This group, which included composers like Igor Stravinsky and Erik Satie, aimed to create a new kind of music that was both modern and distinctly French. The Conflict: The Pleyel company invented a chromatic
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The Pleyel company invented a chromatic harp (without pedals) and commissioned Claude Debussy to write a piece for it. He delivered the famous Danses sacrée et profane .
The piece was a direct response to Claude Debussy's Danses sacrée et profane , which had been commissioned by Pleyel to promote their rival "chromatic" (pedalless) harp. Ravel’s work successfully demonstrated the technical agility and expressive range of the Érard pedal system, which eventually became the industry standard.