| Year | Title (Malayalam) | English/Working Title | Format | Runtime | Notable Cast | Production Highlights | |------|-------------------|-----------------------|--------|---------|--------------|-----------------------| | | “പൊട്ടൽ പണി” | The Broken Fence | Sketch‑Series (5 eps) | 3‑4 min each | Big Peperonity, Anu Madhav | First series shot on a DSLR, introduced signature rapid‑cut editing. | | 2019 | “വൈദ്യുതി പാടം” | Power Play | Short Film | 12 min | Praveen, Surya Mohan, Riya S | First 4K‑shot short; earned a nomination at Kerala Short Film Fest 2020 . | | 2020 | “മാസം 30‑ദിവസം” | 30‑Day Challenge | Vlog‑Series (30 eps) | 5‑6 min each | Guest appearances: Kunchacko Boban (cameo) | Recorded live during COVID‑19 lockdown – highest engagement month (≈ 5 M views). | | 2021 | “കുടിക്കൊണ്ട് കറവു” | The Milk‑Man’s Revenge | Sketch‑Film | 9 min | Big Peperonity, Nisha Thomas | Used a custom‑built set replicating a typical Kerala dairy shop; won Best Comedy Sketch at Asian Web Awards 2021 . | | 2022 | “പേപ്പറോണ് റോഡ്” | Pepper Road | Web‑Series (8 eps) | 7‑9 min each | Ensemble cast of 12 local actors | First series with a dedicated scriptwriter (Mithun R) and a professional sound‑design team. | | 2023 | “മന്ദിരം – The Haunted House” | Madhiram | Horror‑Comedy Short | 14 min | Big Peperonity, Anjali Menon | Mixed practical effects with VFX; streamed live on YouTube Premiere, breaking 2 M concurrent viewers. | | 2024 | “മാർക്കറ്റ്മാൻ” | MarketMan | Satire‑Series (6 eps) | 6‑8 min each | Big Peperonity, K. Radhakrishnan | Collaboration with The Kerala Economic Review ; each episode tackles a real market‑price issue. | | 2025 | “പുളി ചാറി” | Sour & Sweet | Feature‑Length Web‑Film | 85 min | Big Peperonity, Aishwarya R, Sreejith P | First full‑length project, funded via a ₹2 crore crowd‑sourced campaign; released on Netflix India (regional Malayalam section). |
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For thousands of users searching for , this platform was a goldmine. It offered a unique blend of user-generated movie databases, rare video clips, and comprehensive filmographies that mainstream sites often ignored. This article explores the complete history, filmography structure, and the most popular video categories that defined Peperonity’s Malayalam cinema legacy. Introduction 2018 | Year | Title (Malayalam) |
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