In cinema and literature, the mother-son relationship is often portrayed as
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Alfred Hitchcock’s Psycho is the ur-text of cinematic mother-son dysfunction. Norman Bates has not just been dominated by his mother; he has internalized her. The famous twist—Mother is a skeleton in the fruit cellar, yet she is also Norman’s own hand holding the knife—radicalizes the literary archetype. Hitchcock visualizes the Freudian "superego." Norman’s attempts to run a motel, flirt with Marion Crane, and live a normal life are sabotaged not by a living woman, but by the idea of a mother. The son cannot separate; therefore, he becomes the mother. In cinema and literature, the mother-son relationship is
: This 2024 review categorizes how media portrays mothers as primary caregivers and the resulting "intensive motherhood" ideology that shapes cinematic narratives. Mother and Son, by F Odun Balogen: A Brief Analysis Learn more Alfred Hitchcock’s Psycho is the ur-text
Film allows for non-verbal expression—glances, silence, physical distance—that literature must describe. Directors often use framing, lighting, and editing to externalize internal conflict.
In ancient myths, the mother often represents nature itself: chaotic, fertile, and terrifying. The Greek myth of devouring his children (on the advice of his mother, Gaia) inverts the maternal role from nurturer to consumer. This archetype—the "devouring mother"—reappears throughout literature as a figure of suffocating love. She does not wish to destroy her son, but to absorb him entirely, preventing his individuation.
: An exploration of how sons in literature use narrative to discover the "unknown" identity of their mothers, often only after the mother has passed away. Notable Examples in Media : Films like Mommy (Xavier Dolan) and Lady Bird