This paper aims to dissect the relationship between ethology (the study of animal behavior) and narratology (the study of narrative structures). Why do cultures overwhelmingly prefer stories where animals mate for life, despite the rarity of true monogamy in the wild? How do literary devices like anthropomorphism allow authors to bypass human social taboos through animal characters? By analyzing case studies ranging from Aesop’s Fables to modern cinema, we can understand how the "romantic animal" is constructed not by nature, but by human emotional needs.
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